Photoscribe
It’s the film, the film with the MIDAS touch….
This is the movie that pretty much made Bond as a film institution. The car, the music, the cinematography, (for the day,) the casting…absolutley EVERYTHING was perfect for this third film installment of the Bond series, and it paid off. For a time, “Goldfinger” was THE highest grossing film in the world before “The Sound Of Music” came out. And at only $1.50 a head back in those days, $43,000,000 was no mean feat!What made “Goldfinger” so fascinating was that, as far-fetched as the idea was, the possible attempt by a foreign power to take over Fort Knox was STILL all-too-conceivable! Not much was changed from the book, but it WAS substantial: The inimitable Miss Galore only had 2% of the book, she had 66% of the movie. Tilly Masterson, who had 66% of the book, had only 1% of the movie. Felix Leiter was only in the last 2% of the book, but was all through the movie, and, in the movie, introduced Bond to Auric Goldfinger. In the book, the guy Goldfinger played gin with met Bond at an airport in the Caribbean as they were both leaving the island got Bond interested in Herr Goldfinger’s suspected card cheating initially.In the book, Pussy Galore was actually one of the people brought in by Bond and Tilly FOR Goldfinger to help engineer Operation Grand Slam. In the movie, she worked for Goldfinger as a pilot and flight trainer…in the book, she headed a troupe of aerialists. (In the book, Bond and Tilly were granted their lives after being captured on the condition that they actually work for his organization AS recruiters and planners!) However, with all these differences, (and there are more!) the “feel” of the book is pretty much kept intact.Another thing, if you are too young to remember: This film, probably more than any other in movie history, influenced pop culture unlike anything you’ve ever seen! Pop literature, movies, television, manufacturing and magazine publishing all went bananas for the whole Bond aesthetic and lifestyle. TV was awash in Bond imitators on all three networks: shows like “The Man from U.N.C.L.E.”, “The Wild, Wild West”, “T.H.E Cat”, “The Secret Life of Henry Pfyffe”, “The Avengers”, “The Saint”, “Danger Man” (“Secret Agent”,)”Honey West”, “Get Smart”, “Mission: Impossible”, “Mannix”, “Amos Burke, Secret Agent” and “Blue Light” started being programmed in as if a sluice gate opened after 1964, the year of Goldfinger’s release.Fan magazines popped up for “U.N.C.L.E.”, Bond, The Avengers and “Secret Agent” and commerce, too, dove in, with “007” toiletries for men, “Silva Thins” cigarettes, “James Bread from Bond”, “The Man From G.L.A.D.” and Mattel’s “OM” line of toys. Nothing…repeat, NOTHING, not even Star Wars or Star Trek merchandising, ever equalled this madness!Many Bond competitors popped up in pulp novels as well, characters like Matt Helm, Modesty Blaise, George Smiley, Harry Palmer and others too numerous to mention. Movie rivals were “Arabesque”, Blaise, Our Man Flint, Helm, George Smiley and Alec Leames, Harry Palmer and others, including a substandard comedy duo, Allen and Rossi, doing a piece of swill parody called “The Last of the Secret Agents”. Even the gruesome, lowest common denominator sitcom, “The Beverly Hillbillies”, parodied Bond. It was incredible!BTW, did you know that Auric Goldfinger was Russian and was actually working for SMERSH? Well, now you know! All in all, a movie with few faults in a period when good movie mystery/adventures were actually just getting revived as a genre, (“Charade”, “Arabesque”, “Our Man Flint”.) This baby could easily be called the King of Them All!